Showing posts with label Red Riding Trilogy. Show all posts
Showing posts with label Red Riding Trilogy. Show all posts

Saturday, January 1, 2011

The Top 28 Lingering Fragrances of 2010

But thanks be to God, who always leads us in triumph in Christ, and manifests through us the sweet aroma of the knowledge of Him in every place. 2 Corinthains 2:14
I remember being told that the olfactory scent is the strongest medium for memory in the brain. My experience strengthens this idea, as certain smells viscerally remove me from my current dwelling and transplant me to some far off place I once knew. Sunlight seeping in the living room as my mother dusts the furniture to the beat of 50's music. A high school girlfriend. An 2nd grade sleepover party with The Mario Bros. movie as the centerpiece of our attention. These memories come back potently when the certain whiff slithers up my nostrils.

All things have a fragrance in the mind. Some beautiful and alluring, others sickening. This list is my effort to make known those experiences with art and being that carried the most potent aromas to my soul in 2010. The list includes anything that I encountered, whether new or old, that stirred me to some mode of passion.

If you find the list excessive, know that it is only so because words fail where passion begins.

-------------------------------------------------------------------------------------------
28. Rize documentary film, by David LaChapelle
Many years ago, on the special features on the dvd of Shadow of the Vampire, there was a trailer for a bizarre film called Begotten. The trailer terrified me. The film appeared to be some sort of surreal, incomprehensible creation parable. From this experience I made a hasty conclusion; that which is absurd is not from God. The documentary Rize by David LaChapelle examines the crunking and clowning circles that arose in the late 90's in South Central LA. Crunking appears like some sort of demonic form of dance. It involves contortions of the body that mimic a psychotic episode of horrific seizures. The film, however, explores the roots and function of the dance style. By the end of the film's narrative argument, I am swayed to believe that this dance movement not only can be free of demonism, but could very well be a pleasant worship to our Lord. My context of suburban church life informed me that such radical dancing must be absurd... and so it is that I discover that at times my very cultural lens can keep me from recognizing a holy dance of thankfulness to the God of all cultures.
Inhale the Trailer here!

27. Mariel's Brazen Overture song, by Margot and the Nuclear So and So's
This particular song marries together 4 devices that I find particularly effective and emotive in music:
  • A dialogue between man and woman
  • A toxic mixture of regret and nostalgia
  • An Abrupt tempo change
  • An undercurrent of tragedy


    26. Horton Hears a Who! film, by Jimmy Hayward and Steve Martino
    I purchased this movie before ever viewing it because it was cheap and boasted a Slovenian audio track as well as both English and Slovenian subtitles. I've watched it many times since that day in an effort to expand my Slovenian knowledge -- whether or not it was an effective tool of language acquisition is anyone's guess. What the li'l Suessian knockoff did do for me was rip out my tender little heart every time that third act comes around. The film features an elephant who can hear the voice of a certain Who who lives on a dandelion world of microscopic Whoville-ians. None of the other animals in the forest can see or hear this miniature universe, so they hastily conclude that Horton the elephant is insane. Naturally, they decide to destroy the dandelion of Whos. At that moment, those instances right before Horton's world of friends is to be executed, an underlining of empathy strikes me in the face. Every damn time. Horton has a kind of faith in the Whos. His faith is being not only put on trial, but executed. Horton is alone in his knowledge and hope, and can't seem to make others understand and believe what he knows. Thus I see a parallel with the life of the zealous Christian. It makes my heart hurt... but it's the good type of hurt.
    Breathe in the trailer here!


    25. Red Riding Trilogy film series, by Julian Jarrold, James Marsh, Anand Tucker
    The world is a shitty place, brimming with ugly people committing the ugliest of deeds. These three movies are an unpleasantry. They are not fun to endure. Evil act follows evil motive. On and on the corruption and vileness continue. Only there, in that moral destitution, can a visceral, all-encompassing moment of grace be appreciated. At the tail end of the trilogy, a scene that surely is no longer than 20 seconds lifts us up past the sewage of our sins, to the very feet of the Mystery who loves us. Those few seconds effortlessly redeem the whole of the film trilogy.


    24. Inception film, by Christopher Nolan
    Robert Angier reveals at the end of The Prestige, "The audience knows the truth: the world is simple. It's miserable, solid all the way through." I’ve been a faithful admirer of Christopher Nolan’s filmography for a long length of time now. The man is incapable of making mediocre films. What has been ever so fascinating, is that his characters almost universally tend to flow from a self-willed beliefism towards a final sense of nihilism by the each film’s denouement. What makes Inception special, is that his protagonist starts with this premise of nihilism. From the getgo he assumes the world is solid, but his desires keep him searching for something more… and so we witness a birth of a form of existentialism. Out of this nihilistic premise grows the same quandaries that Shakespeare wrestled with; is life really worth living? Nolan appears to be answering yes, if only the dreams that may come can manifest themselves now.
    Trailer here!

    23. Ruby Tuesday song, as sung by Franco Battiato
    Children of Men is a film of mastery. Set in a world that is rapidly spinning toward its own end, somehow wonder is found. The film is directed with many breathtaking cinematic shots. If the film's cinematic lens represents the film's creative mind, then the cover of The Rolling Stone's Ruby Tuesday is the heart. We tend to believe that innocence is a thing that is lost somewhere amidst children. The world siffens its essence from us, and we become damned to its aroma. Nevertheless, within the confines of the song's anthem lies a delicate hope that innocence can be regained for even the most battle weary among us. Innocence restored and life regained.

    22. White Dog film, by Samuel Fuller
    Animals are a conundrum for me. On the one hand, they innately, to me, represent God's creativity. In observation of them, it is easy for my mind to worship God. Yet on the other hand, animals present a glaring disturbance to my sometimes violent Christian faith. Adam sinned. He fucked up the world over. And yes, we have been separated from God and now are prone towards evil. We sin. Yet animals, those creatures of which Adam was given to name and claim authority over, suffer because of us. They are a potent reflection of our vileness. And yet they themselves are without blame. They have no moral conscious. They are simply receptors of the outpourings of our sinful lusts. White Dog reminds us of the damage done. Death is coming.
    Trailer here!


    21. Ghost Dog: The Way of the Samurai film, by Jim Jarmusch
    Once upon a time I saw within this film something that intrigued me. It seemed to me that Ghost Dog hid within its bosom some sort of great secret that was waiting to be unlocked. I decided to take it upon myself to unveil this covert enigma. Often I ended up playing the film in the background as I worked on other projects, as if hoping to absorb the film's latent meaning through some sort of osmosis. Well, the osmosis didn't take, and I still can't tell you what the film is about... but I can tell you that it means something. What that is, I have no idea. But it's something. Something, alright.
    20. The Blue Mosque building
    As the time of advent hurdled towards its summation this December year, I ventured into an active mosque for the first time in my life. I didn't exactly know what to expect, or know how I would respond. I still don't know how I should respond. Can you tell me? Should I feel pity? Mercy? Compassion? Righteous anger? I cannot be devoid of a position on the matter, and yet, I am frozen by my indecisiveness as to how to deal with such an experience. My soul seems quiet on the subject. What do I do with this?

    19. The Films of Terrence Malick director
    Tree of Life is coming. I don't know anything about Terrence Malick the man. I know much more about Terrence Malick the filmmaker. He is contemplative. He thinks thoughts that others do not. He is compassionate... and he has never made a bad film.  Above all, he appears to be concerned about the state of the individual soul, and the actions that mold it. Few people are.

    18. Burek food
    Slovenians inform me that Burek is a Serbian food, but wikipedia tells me it has its origins further south amongst the former Ottoman empire people. Nevertheless, for me, burek represents cheap Slovenian fastfood – and I mean that as a term of endearment. Not only has 2010 been the first full year that I've lived abroad, but it has also been the first time I've lived on my own... and burek can stand as my stoic flag of rugged bachelorhood.


    17. The Suburbs album, by Arcade Fire
    Our lives are meant, I reckon, to be exciting. God made us with a sense of adventure. We long to discover. We long to play. We long to conquer. Somehow, along the way, we move to the suburbs. We become mechanisms of our society. We spend our time complaining and eating. The Suburbs is a fantastic effort to keep us baroque before we turn roccocco.


    16. Rumi poetry, as translated by Coleman Barks
    Often, I want to call certain people my friends. Eight centuries separate Rumi and I. I think that Rumi would say that eight centuries would be nothing for two friends. Rumi was a sufist and not a Christian, supposedly. I hope that maybe he found Christ as an answer before his end came. I hope I can someday meet this man of whom I want to make friends with. I hope.
    The following is taken from the poem A Dove in the Eaves:

    You push me out on many journeys;
    then you anchor me with no motion at all.

    I am water. I am the thorn 
    that catches someone's clothing.

    I don't care about marvelous sights!
    I only want to be in your presence.

    There's nothing to believe.
    Only when I quit believing in myself
    did I come into this beauty.

    I saw you blade and burned my shield!
    I flew on six hundred pairs of wings like Gabriel.
    But now that I'm here, what do I need wings for?

    Day and night I guarded the pearl of my soul.
    Now in this ocean of pearling currents,
    I've lost track of which was mine.

    There is no way to describe you.
    Say the end of this so strongly
    that I will ride up over 
    my own commotion.

    15. The Mind of Charles Williams novelist
    Who would C.S. Lewis and J.R.R. Tolkien care to hang out with? Answer: men like Charles Williams. I've only now finished one of Williams' novels, but it was a doosy. Splendid times, I tells ya. Williams is obsessed with the marriage of the spiritual and the physical. He tells me of things I long to reach.



     14. Frailty film, by Bill Paxton
    Slippery slopes are made for sliding. Frailty is a queer little film about a father who is given a list of names from an angel of God. This father is expected to kill the people on the list. The movie might seem foolish, but ask yourself what makes a thing right or a thing wrong. God. Only God. Whatever God deems as good is good. The ninth commandment tells us not to lie, and yet Rahab is blessed for lying and hiding the Israelite spies. God alone dictates what is good; not you or I. Remember Rahab.
    Watch the Trailer here!


    13. Where the Wild Things Are film, by Spike Jonze
    The young boy Max is told in school that someday the sun will die. An hour later in the film, Carol, the 'leader' of the Wild Things, shows much melancholic distress about the sun's demise. All things die. How does a child register that fact? Nothing is forever. Perhaps above all, children long for security, but how is that possible, if even something as big as the sun is going to die? Max says, “I have a sadness shield that keeps out all the sadness, and it’s big enough for all of us.” No one tell Max that shields rust.
    Trailer here!



    12. Eh Hee music video, by Dave Matthews
    This music video seethes anger through the cracks of its jagged teeth. Such fascinating anger... and yet, I find that I can empathize with such frustrations. What does that make me?
    WATCH IT NOW!





    11. The Angel of Death Came to David's Room song, by Mewithoutyou
    The Myers-Briggs psych exam, among other facts, evaluates one's extroversion. How is extroversion/introversion defined? – the answer is interesting to me. It is not simply a matter of whether you like to be around other people or not. No. Extroversion is calculated by the degree to which one draws energy from other people. This song, with its hypnotic critique of the moral life of King David, is a concrete source of energy for me. Press play on that sucker a few consecutive times, and soon I'll be bouncing off the walls.
    Listen Here!

    ----------------------------------------

    -- A brief word about the top ten -- 
     6 of the 10 top fragrances of 2010 are people. I see this as a direct result of a growth in my relationship with God and understanding of the care into which he formed creation. As mighty as buildings like the Hagia Sophia can be, they are merely aesthetic offerings sculpted in time by men. The infinitely greater thrill is the men themselves. Every individual has more inherent value than all the cathedrals of the world. It is this conviction that must permeate our attitudes towards the rest of creation. That which the Lord made is beautiful beyond our capacity to enjoy it.

    ----------------------------------------


    10. Infinite Jest novel, by David Foster Wallace

    David Foster Wallace committed suicide. And then there's the title of his novel. I should have seen this coming. I had no right to expect some sort of euphoric ending from Infinite Jest, but I did. I hoped that this story of a movie so entertaining that it kills anyone who watches it (once you start watching you literally are never willing to do anything but keeping watching it – so all cases lead to death), would finish with some divine insight about the state of my reality. No luck. Wallace’s novel is a painful lesson that genius does not necessarily lead to revelation. The will to genius is not the same door that leads to revelation -- this was a paramount lesson for me to learn this past year. Vital, really.

    9. LOST television show, by J.J Abrams, Damon Lindelof, Carlton Cuse

    I've had some bad breakups in the past, but nothing like this. LOST left me. And it hurts. I want to go back. I want to make it right. I want to change the way things went. I want to fall in love again. But I can't. What happened, happened.
    Click here for a concise recap of the show!

    8. Richard McGraw musician

    Mr. McGraw is my patron saint of misgivings and irreconcilable desires. Born into a Catholic environment, McGraw's songs are laced with spiritual angst. He asks Jesus to let him sleep with the girl he knows he shouldn't be with (The Things that Devils Bring), he prays for the soul of the doubter (Hopefully), and cries for a grace that he can't yet feel (That Old Song). He is a man both plagued and inspired by his spiritual convictions. He is a relatable guy. Keep singin', brotha.
    Check out his myspace page: http://www.myspace.com/richardmcgraw

    7. Soren Kierkegaard philosopher

     Ol' Kierks gets an honorable slot on this list for one simple reason: he finds the whole story of Abraham and Isaac as a bit absurd. In fact, I would say that at some point, Kierkegaard was left dumbfounded by the Biblical account. He simply couldn't just leave it as is and say, “Yeah, that makes sense… moving on.” No. He fought to understand. In his Jacob-esque wrestling, Kierkegaard arrives at a decision. He declares that those among us who are most intimate with God may act in such a manner that appears silly to us. They are being truly, madly, and deeply Spirit led. Of course, the argument is far more layered than that, but who cares! Soren resonates. Let such wings flap.
    Download a free ebook of Kiekegaard's collected essays: On Faith and the Self Here!

    6. Ayran food

    Ayran is a crazy milk/yogurt/salt mix. It does not taste good. It tastes bad, in fact. Upon arriving in Istanbul, I was introduced to the bizarre liquid. Upon first taste, I found it instantaneously displeasing. Despite my taste buds cries, I was driven to experiment. Ayran may just be the most popular drink in Turkey. How can this be? It tastes dreadful. Then I remembered being a child, tasting coffee, and being absorbed entire by the conviction that all people who love coffee are crazy. Now I chug coffee everyday. It is pleasing to me now to drink it. Remembering this, I took it upon myself to drink ayran at every opportunity. Everyday. It took nearly two weeks, but just a mere two days before my departure from Istanbul, I came to a place where I can honestly say that the drink is pleasing to me. Ladies and gentlemen, taste is entirely subjective -- Even more substantial, it can be bent to our will! I wonder, what else is subjective?


    5. Jon Stewart political comedian 

    Comedy is relaxing. Glenn Beck is not. Mr. Beck held a giant-mega-super-awesome rally in Washington D.C. earlier this year. The rallying cry of that mob appeared to be a deep seated conviction by a great legion of Americans that the country is heading towards dark days. Apparently, many people are fearful of the coming night. I'm no optimist when it comes to politics. I see bad things coming down the bend as well, but I ardently reject the methods of retaliation that many of my fellow Christians are promoting against those in power. Anger will not solve the Christian's problems, nor will mere protest. Two sidepoints: (1) corruption in Washington is across the board, not solely a disease among Democrats. (2) The spiritual state of people's souls is infinitely more important than how your tax dollars are being used. Mr. Stewart this October held what appeared to be a rally in reaction to Beck's, entitled Rally to Restore Sanity. He is brandishing tools of compassion, understanding, and common sense as his arsenal to combat rampant political corruption. Who on the political right speaks of such things? I disagree with much of what Stewart believes, but I respect his methods of approach. Mr. Beck merely cries and whispers of vast conspiracies. What's the point in advocating truth if hate gets you there? Come what may. If America dies, it dies. What matter is it? As for me, I will love my neighbor as myself.
    Watch Jon Stewart every week on The Daily Show at: http://www.thedailyshow.com/

    4. Lars von Trier film director

    He started it. After enduring a sick feast of masochistic torture bled in the form of the film Antichrist, Lars Von Trier has the audacity to tribute his film to Andrei Tarkovsky, one of the great fathers of Christian Spiritualism in Film. Lars Von Trier is a stunning force of filmmaking mastery. The man's genius can no longer be denied. He is great. He is great. He is great... and he is wrong. I will continue to see his films as remarkable feats of artistry and passion, but with much power comes much responsibility. I don't believe he cares for his audience, only his intuition blended with conviction. 'To hell with them,' he thinks. I respond, 'Soon enough.'
    Be Careful as you watch the Antichrist trailer here! 

    3. Ayn Rand philosopher/novelist

    Ayn Rand ruined It's a Wonderful Life!. I was just sitting there, minding my own business, relishing the Christmas season enjoying the wit and wisdom of Mr. George Bailey, when she suddenly had to butt her dumb old persuasive philosophy in my face. Old man Potter is set as the evil moneygrubber in that film. Director Frank Capra paints him as only concerned with profit and progress. In an instant, I am caught off guard by my own question. »Why is that so wrong to want to run a successful business? Mr. Potter isn't doing anything illegal. Why is it so wrong to not want to loan money to people who can't pay you back? Isn't that exactly how we got into the whole mortgage crisis in 2008? Thanks for that one, Ayn.


    2. Sufjan Stevens musician

    The question posed now has a tremendous elevation. The stakes are staggering. Is Sufjan a prophet? Is he a priest? Sufjan Stevens has a tremendous portfolio of musical expression that resonates deeply into the soft spots of my heart. In his latest album he looks no longer at the theme of whole States of the American Union (as he has done thus far with Michigan and Illinois), but at the individual. His album etches an outline of a deeply disturbed artist. Listen deeper, and you can make out the expression of an autobiography as well. Sufjan finds a source of commonality and union with this artist (as he did once upon a time with the serial killer John Wayne Gacy Jr), and merges their singular voice as an anthem of authentic emotion to God. The icing on the cake is finding myself in his lyrics also (as in I Want to be Well). Now the hope remains as this: that Sufjan's voice would not only remain beautiful to me, but be universally seen as a work of tremendous achievement. But ultimately more important, I hope Sufjan takes up his cross and actively acknowledges that he may, with his current arsenal of tools, lead a wandering band of soul-searchers ever closer to the Architect of all souldom.
    Click here to read my previous column concerning Sufjan.
    Listen to all of Sufjan's new album The Age of Adz here for free!


    1. Equus film, directed by Sydney Lumet, written by Peter Shaffer

    I am not recommending this film. That would be unwise. I am merely advocating its thoughts. Its convictions.

    Alan: Gods don't die.
    Dr. Dysart: Oh yes they do.


    I will merely state that the viewing of this film in conjunction with the manner and time in which I observed it led to a series of highly influential murmurings in my head. Equus is the story of two people: a tortured young man, and an aging psychologist who uses the young man to find his own torment. Simple enough, eh?

    Passion, you see, can be destroyed by a doctor. It cannot be created.

    The story runs like this:
    • Alan loves horses – until the day he gouges out their eyes.
    • Dr. Dysart wants to cure Alan of his abnormalities.
    • Alan tells the doctor about his worship of the god Equus.
    • Dr. Dysart becomes jealous of Alan's capacity for passion.
    • Alan is cured by talking through the events that led to his attack. He becomes normal.
    • Dr. Dysart is left with a burning doubt as to whether he did the right thing.
    Read my initial thoughts on the film here.

    Sigh... I'm such a sucker for doubters.

    I need, more desperately than my children need me, a way of seeing in the dark.

    Peter Shaffer likes to write stories about people touched by God, and those around them who feel excluded from that ray of light. What I take away with from Equus, unlike from his other masterpiece Amadeus, is that everyone is touched from the divine, but most of us systematically work Him out of our lives. We refuse the divine for the mundane.

    Somehow, someway, the watching of Equus set off this little notion in my head that dabbling with insanity might very well be a dandy idea, if it is in pursuit of God, the Divine. This thought leads me to vomit out my Aristotelian lens which speaks of balance as the key ingredient to Godliness. Forget balance. I want communion with God. And I want it all the time. We can't balance God. He is unbalancable.

    Dr. Dysart: Moments snap together like magnets forged in a chain of shackles. Why? I can trace them, I can even with time pull them apart again. But why at the start were they ever magnetized at all. Why those particular moments of experience and no others, I do not know! And nor does ANY BODY ELSE! And if "I" don't know, if I can "never" know, what am I doing here? I don't mean clinically doing, or socially doing, but fundamentally. These whys, these questions, are fundamental. Yet they have no place in a consulting room. So then do I? Do any of us?


    May we move closer in community with Jesus our Messiah in 2011 than ever before. 
    Amen.
     

    Thursday, September 23, 2010

    Fractals and Subplots

    The dragon is hungry.

    Subplot

    I don't have any ill will towards Pontius Pilate.  I think the Gospel of John presses implicitly that we should not pity Judas Iscariot, but I still wonder about this Pilate fella.  What a fascinating question to ask: what is truth? (John 18:38)  For a man in Pilate's position, that seems like a fair question to assert, no?  And who better to ask this question of, then the King of Kings!

    I am reminded of my 7th grade reading of an abridged version of Beowulf.  I distinctly recall, after a follower of Beowulf betrays him and ultimately is destroyed (perhaps by Grendal's mother?), all the town's people were slamming the dead man's memory.  Beowulf is asked to say a few words, and only a few words he uses; He was a man to be pitied.  Does Pilate belong in that camp of pitiable men as well?

    I often wonder what happened to Pilate after those three days.  Surely he would have heard of Jesus' undeath.  Surely.  Christ's brothers didn't believe him during his ministry, yet James the brother of Jesus ended up martyred as the leader of the Church in Jerusalem.  Perhaps Pilate's question of truth led him to the Truth.

    This thought wells within me not because I question what truth is, but because I am ever so curious as to understand what the main plot of my life is/will be.  What does my plotline consist of?  What is that truth?  Consequently, this also leaves me pondering, 'What are the subplots in my life?'  How can I decipher between what shall/should be center stage, and what is sufficiently contained as a footnote?

    Recently, I was asked to make a video for Avant Ministries, proclaiming in some manner what it is I am bringing to the table uniquely as a witness to the good news of Jesus Christ.  I came up with this: watch here now!.
    (I will pause now as you watch said video.) 
    .
    .
    .

    Annnnnnnnd, we're back.

    But do I believe it?  Do I believe these words that slip out of my mouth?  Of the many Biblical mysteries I have struggled to bear, the compositing of James' words on faith and works with that of Paul's has never bothered me.  It seems straightforward enough to me: true faith (or belief) by necessity, bears fruit.  This fruit will be seen often by the human observer as action.


    Do I believe it?  Do I hold to the words I say?  Yes.  Yes I do.  Assuredly.  Absolutely.

    BUT!  I, being amongst the number of the chiefest of sinners, remain ever ready, at almost all times, to cause what must be my chief end in life, to fall to the realm of mere subplot.  My actions convict me.  I do not in earnest seek, in all moments, to worship my God and spend all my effort glorifying His good Name; that name which has been too sacred to even be uttered by the lips of us sinful mortals. Remember how Isaiah, in his great vision had his lips burned and cleansed before he could offer to serve the Lord (Isaiah 6:6-7)?  Do you remember?  Do you really?

    I am a slow learner.  Daily I need to be reminded (I must remember!) to put that which must remain in focus at the center of my vision.  Nothing comes first, but Christ alone.  Oh, but how I forget!

    These are pleasing words, but it paints a picture that is crisper than life.  Words can be unscrambled and set in assembly in such a way as to draw the eye towards a pristine, HD image of a perceived truth.  But life is much more like a Monet -- a later Monet -- a going blind Monet.

    Each day, as I make room to accomplish certain tasks which seem good for me to fulfill, how am I to discern what avenues will lead to major plots, and which are subplots?  To put plainly, what paths are inspired with meaning, and which roads are just roads, for the sake of being roads? (All clear now, right!)

    As a Christian, I strive to be earnest in my pursuit of obedience to my Father.  What does daily obedience look like?  Is obedience related to micro-managing?  Is choosing to watch one film over another a moral disposition of obedience or defiance?

    Fractal

    Another question that has been laying eggs in my brains, is that of evil.  Google's work slogan has famously been published as, "Don't be evil".  That sounds nice, especially for an all absorbing entity like the google monster, but in practicality, how is it done?


    Sister Aloysius says to her struggling sister in Doubt: "When you take a step to address wrongdoing, you are taking a step away from God, but in his service."

    Is that true?  Adam and Eve, when they were still good, knew nothing of evil.  They were naive of its being.

    To desire to glorify God, should I wash myself clean of all evil, so as to once more become naive to its very presence?  How am I to interact with that?  Can I touch it, see it, hear it, without being some sort of conduit?  The good Lord renews all things.  He is in the process of redeeming the whole earth.  After our lips are burned, what part do we play?

    I have long felt right in viewing many films, many books, and many lives -- I felt that I could do this chiefly to mine what is still fragrant within them.  I still can hold to the conviction that this is a good, honorable task, for our Lord Jesus Christ hung out with the scum of Israel society, and yet he brought salvation.  "As for you, you meant evil against me, but God meant it for good... to preserve many people alive." (Genesis 50:20)  Is this power held only with the Messiah, or can we too access it?

    When speaking with conservative minds that wish only to do the Lord's biding, Philippians 4:8 is frequently quoted to me. "Finally, brethren, whatever is true, whatever is honorable, whatever is right, whatever is pure, whatever is lovely, whatever is of good repute, if there is any excellence and if anything worthy of praise, dwell on these things."  This is recited to me as some sort of proof against smutty films.  My only response is that I see the hope of beautiful things in films like Even Dwarfs Started Small.

    Over the weekend I indulged my filmatic mind by intoxicating my brains with the Red Riding Trilogy.  These are three films released last year that focus on a series of crimes in Yorkshire, England in the years 1974, 1980, and 1983 (each film covers a year).  The tagline for the films:

    Evil Lives Here

    Catchy, no?

    Primarily, the films deal with the absolute corruption of the Yorkshire police.  It's like 5 hours of insanity.  No one is kind to anyone else, ever.

    I barreled through these films.  One problematic,  grim scene after another, the themes of greed and sheer evil soaking slowly through my scalp hour by hour.  And then a miracle.  In the last ten minutes of the last film, there is this thing of absolute beauty.

    I won't describe it.  That would do the scene an immense injustice.  After five hours of dread, this light floods in, and a song is sung in comfort through tears.

    Ah, the salvation therein!

    There are no words for such moments.

    Five hours of loving people followed by that scene would have produced nothing.  I would have been numb to goodness.  Only in this world of filth and sickly detestable creatures does a moment like that barrel through the body.  It pummels the heart.  You can't hold it.  The scene is but a few seconds long, but it is all I can remember now.  What bliss!

    What bliss.